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Amalraj Sengupta (Registered Member)

Amalraj Sengupta, a NIFT Kolkata 2008 Graduate majoring in fashion design.
Featuring these characters his achievements include
USHA best ‘garment construction’ award for his graduating design collection
An award by the then textile minister during his 14th convocation ceremony for ‘academic excellence and community service AWARD’ for all over performance in college.
“the Van Heusen emerging designer award” for India’s first ever Men’s fashion week held in New Delhi by FDCI in 2009.
Showcased his first women’s wear collection “KENDO” In LFW SPRING SUMMER 2010 as a GEN NEXT DESIGNER.
Participated for the second time as an emerging designer in LFW SUMMER RESORT 2010 showcasing men’s wear and women’s wear both.
Lately showcased winter festive collection “Ruins of World War 2” in LFW 2010 as an emerging designer again.
And recently showcased the summer resort 2011 collection “IN THE GAME OF CHESS” at lfw as a established designer.
For him creativity knows no boundaries and holds no bondages. He presumes fashion to be a form of art so expressive as to be able to exhibit one’s thoughts and bring them to reality.
His design vocabulary is unique and inspiring. His garment highlights being remarkable patterns, structures and astonishing interplay of fabrics and colors with impeccable finish.
 The basic concept of the label “AMALRAJ SENGUPTA” is futuristic, which takes into account structural experimentation in avant-garde philosophy.
Concept note:
The Game of Chess-
The theme for this Summer Resort collection erupts from a black and white checkered floorboard essentially referring to the ‘game of chess’. Hence, there will be a collection of garments displaying the veracity behind this world renowned game - its rolling up’s and downs and the quintessential requirement of spontaneity to be able to play it.
As each player begins the game with sixteen pieces in the gradation of pawns, bishops, knights, rooks and the king and queen respectively. There would be a sequential display of 32 garments with two sets of eight ensembles each as ready-to-wear prêt depicting pawns; one set in tints of whites and the other being in black.
There will be merging hue of black and white while climbing the hierarchy and going towards the kings and queens lending the garments an avant-garde feel and making them look more and more creative with maximum ingenuity accorded to the two sets of ‘kings’ and ‘queens’ in relatively black and white tints and tones.

The fabrics range would thus vary from cottons, and silks, organza to satins and chiffons.

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