Just like Gulzar sahibs poetry, Swanand Kirkires haunting melody in Bawra Mann or Sudhir Mishras intense film Hazaron Khwahishen Aisi, Vineet Bahls chikankari was moving. Shunning a colonized attitude that all things Western are cool, Vineet stuck to what he is good at, Indian silhouettes to which he added his ...
