Gulzar sahibs poetry, Fridas activism and lipstick prints set the mood on Day 1
Just like Gulzar sahibs poetry, Swanand Kirkires haunting melody in Bawra Mann or Sudhir Mishras intense film Hazaron Khwahishen Aisi, Vineet Bahls chikankari was moving. Shunning a colonized attitude that all things Western are cool, Vineet stuck to what he is good at, Indian silhouettes to which he added his ingenious touch, by making them ultra feminine, taking the traditional threadwork to new heights in ivory, on georgette.