Booked for Life

From applying for a booking agent’s job in a modelling agency to making it to the runway, Palak paints her journey with the brightest hues By Asmita Aggarwal

The Grand Inquisitor

Whether it was abuse of absolute power or political intrigue, the Czars of Russia who ruled for more than a 1,000 years courted decadence like no other. It is this Byzantine influence in Rastrelli’s Winter Palace or the sheer grandeur in the neo-classical St Isaac’s cathedral and a lot more opulence that Rohit Bal has recreated through his ode to the country in ‘Kehkashaan’. By Asmita Aggarwal

Soul Calling

Manav Gangwani combined all the elements of glamour, a Bollywood beauty, classical music and exuberance to create his ICW 2016 line, which was a tribute to a friend, Zainab, who worked for UNAIDS and died young. By Asmita Aggarwal

Fragrant Memory

The density of the colours, and the smell of a fresh garden of roses came alive with Varun Bahl straying from convention by reinventing the kurti as he reassembles European architecture through potent and distinctly white imagery. By Asmita Aggarwal

Science of flattery

Gaurav Gupta’s eponymous gowns which have gracefully slided into every bride’s wardrobe are based on the psychology of what looks good on the body, is frankly what’s right! By Asmita Aggarwal

The Monk who sold his Ferrari

Rahul Mishra is a riveting conversationalist with a passion very few can boast of. In a country which can’t get enough of zardosi and swishy gowns, he comes armed with his organza lehengas in ‘Monsoon Diaries’, this ICW 2016. By Asmita Aggarwal

Clothes whisperer

It has been 19 years since Anamika launched her label, and for the last 14 years she has been creating couture hoping to silence the clamour of fashion and slow down with intricate embroideries, subtle pearls and heartening glamour. By Asmita Aggarwal

Colour me Pink

Inspired by the tales and colours of Rajasthan, Reynu Tandon’s ICW line resurrects the historical past with a contemporary reincarnation. By Asmita Aggarwal

Artisanal Ephemera

Uzbeki Suzanis form a backdrop for Harpreet and Rimple Narula’s ICW 2016 line where Islamic art becomes a leitmotif for creative expression as Gulzar saheb’s voice reverberates soothingly in the background. By Asmita Aggarwal

Valley of pleasure

Whether it was Sahib Jan played by Meena Kumari in Kamal Amorhi’s unforgettable Pakeezah or Umaro Jaan by the lithe-footed Rekha, the tales of unrequited love and courtesans have lived on in our collective memories. It is this ethos that gets recreated through Tarun Tahiliani’s ode to the woman, who dances despite the deep pain that will reside in her heart forever. By Asmita Aggarwal

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