The Fashion Design Council of India is a not-for-profit organization that works to further the business of fashion in India and ensure its sustainable growth. It promotes and nurtures its over 400 members, who represent the best in Indian fashion. These members include fashion and accessory designers and professionals, educational institutions and corporates.
The FDCI’s calendar of events includes the bi-annual Lakme Fashion Week (prêt) for Autumn-Winter in and Spring-Summer in October, held in New Delhi & Mumbai. It also hosts India Couture Week, the country’s most exclusive and premier fashion event, every year in July, held in New Delhi.
Other than these, the Council collaborates with the Textile Ministry and the Commerce & Industry Ministry, Government of India, as well as other countries and organizations on hosting fashion- and textile-related events and initiatives and creating opportunities for FDCI members across India and abroad.
Fashion and textile - related programmes and collaborations with the Government of India, other countries and private organizations in India and abroad
The FDCI News Room section provides up-to-date announcements, press releases, and media coverage, keeping you informed about the latest developments in the fashion world.
The FDCI Members section highlights the esteemed designers, brands, and industry professionals who are part of the Fashion Design Council of India.
The FDCI Blog section offers insightful articles, interviews, and trends from the fashion industry, providing a deeper understanding of style, design, and innovation.
The FDCI Careers section offers opportunities to join India's premier fashion council. Explore current openings and become a part of the dynamic world of fashion and design.
The FDCI Events section highlights the latest fashion shows, exhibitions, and industry gatherings, offering a glimpse into the vibrant world of fashion and design.
Pankaj and Nidhi blew their own trumpet, quite literally! With a line that would make even the God of Guitar Jimmy Page sit up and take notice. No, not just because there were musical instruments, creating melody in their signature lattice work or crewel embroidery, but because the duo takes pains over finishing each piece, giving it a distinct identity.
Just like Gulzar sahibs poetry, Swanand Kirkires haunting melody in Bawra Mann or Sudhir Mishras intense film Hazaron Khwahishen Aisi, Vineet Bahls chikankari was moving. Shunning a colonized attitude that all things Western are cool, Vineet stuck to what he is good at, Indian silhouettes to which he added his ingenious touch, by making them ultra feminine, taking the traditional threadwork to new heights in ivory, on georgette.
Pero introduces saris for the first time, as Aneeth takes a trip around India to uncover the myriad jewels of weaves, she styles effortlessly into modern ensembles for a woman, who is unafraid of being herself.
